Title: American sensations: class, empire, and the production of popular culture 
Author: Streeby, Shelley 1963-
Published: University of California Press,  2002
Subjects: American Studies | American Literature | Californian and Western History | Popular  Culture
Publisher's Description: This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature. This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States.   [brief]
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Title: Window shopping: cinema and the postmodern
Author: Friedberg, Anne
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | Popular  Culture | Women's Studies
Publisher's Description: Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences - photography, urban strolling, panorama and diorama entertainments - anticipate contemporary pleasures provided by cinema, video, shopping malls, and emerging "virtual reality" technologies.Comparing the visual practices of shopping, tourism, and film-viewing, Friedberg identifies the experience of "virtual" mobility through time and space as a key determinant of postmodern cultural identity. Evaluating the theories of Jameson, Lyotard, Baudrillard, and others, she adds critical insights about the role of gender and gender mobility in the configurations of consumer culture.A strikingly original work, Window Shopping challenges many of the existing assumptions about what exactly post modern is. This book marks the emergence of a compelling new voice in the study of contemporary culture.   [brief]
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Title: Weimar surfaces: urban visual culture in 1920s Germany
Author: Ward, Janet 1963-
Published: University of California Press,  2001
Subjects: Literature | Architecture | Film | European Studies | European History | Popular  Culture
Publisher's Description: Germany of the 1920s offers a stunning moment in modernity, a time when surface values first became determinants of taste, activity, and occupation: modernity was still modern, spectacle was still spectacular. Janet Ward's luminous study revisits Weimar Germany via the lens of metropolitan visual cu . . . [more]
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Title: On holiday: a history of vacationing
Author: Löfgren, Orvar
Published: University of California Press,  1999
Subjects: History | Anthropology | Travel | American Studies | Cultural Anthropology | Popular  Culture | Criminology
Publisher's Description: Löfgren takes us on a tour of the Western holiday world and shows how two centuries of "learning to be a tourist" have shaped our own ways of vacationing. We see how fashions in destinations have changed through the years, with popular images (written, drawn, painted, and later photographed) teaching the tourist what to look for and how to experience it. Travelers present and future will never see their cruises, treks, ecotours, round-the-world journeys, or trips to the vacation cottage or condo in quite the same way again. All our land-, sea-, and mindscapes will be the richer for Löfgren's insights.   [brief]
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Title: Lives together/worlds apart: mothers and daughters in popular culture 
Author: Walters, Suzanna Danuta
Published: University of California Press,  1992
Subjects: Gender Studies | Popular  Culture | American Studies | Gender Studies | Women's Studies
Publisher's Description: In the 1940s film Now, Voyager, Bette Davis plays a daughter struggling against her mother's stifling repression. Nearly fifty years later, in the Hollywood saga Postcards from the Edge , Shirley MacLaine, as a neglectful and bossy mother, inflicts untold psychological pain on her daughter, played by Meryl Streep. These dramas of conflict and the ambivalent struggle for separation have been central to popular images of mothers and daughters in the last half-century in the U.S. Walters boldly challenges these dichotomies and proposes an innovative and multilayered understanding of the cultural construction of the mother/daughter relationship.In a discussion of popular media ranging from themes of maternal martyrdom to maternal malevolence, Walters shows that since World War II, mainstream culture has generally represented the mother/daughter relationship as one of never-ending conflict and thus promoted an "ideology of separation" as necessary to the daughter's emancipation and maturity. This ideological move is placed in a social context of the anti-woman backlash of the early post-war period and the renewed anti-feminism of the Reagan and Bush years.Walters uses exceptions to mainstream imagery-films such as A Tree Grows in Brooklyn , television shows like "Maude," novels like The Joy Luck Club -to offer evidence of alternative traditions and paradigms. Timely and vividly argued, Lives Together/Worlds Apart makes a brilliant contribution to discussions of popular culture and feminism.   [brief]
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Title: The Enlightenment against the Baroque: economics and aesthetics in the eighteenth century 
Author: Saisselin, Rémy G. (Rémy Gilbert) 1925-
Published: University of California Press,  1992
Subjects: History | Economics and Business | Popular  Culture | Art | Renaissance History
Publisher's Description: How do seemingly disparate arenas of Enlightenment philosophy, economic theories, boudoir etiquette, literary styles, and artistic modes coincide in the late eighteenth century? In this poetic essay on the evolution of the idea of luxury and art, Rémy Saisselin uses precise, witty examples to describe the development of our modern taste, ultimately the successor of the more spiritual and grand baroque goût . His analysis both illuminates and distinguishes between eighteenth-century and modern varieties of conspicuous consumption.This persuasive discourse depicts the rise of luxe as an escape from ennui and shows how, for the first time in European history, a large class of wealthy, leisured people emerged to make art, luxury, and the avoidance of boredom its preoccupation. Saisselin provides an original and lucid picture of the first phases in the emergence of a specifically bourgeois taste.   [brief]
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Title: Before the nickelodeon: Edwin S. Porter and the Edison Manufacturing Company 
Author: Musser, Charles
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | United States History | Popular  Culture
Publisher's Description: Musser takes us into the long-forgotten world of early cinema - unexpectedly sophisticated and yet radically different from current movie-making. Focusing on Edwin S. Porter, most often remembered as the producer of The Great Train Robbery , Musser situates Porter's achievements within the vibrant c . . . [more]
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Title: Popular music and national culture in Israel
Author: Regev, Motti
Published: University of California Press,  2004
Subjects: Music | Ethnomusicology | Middle Eastern Studies | Popular  Culture | Jewish Studies
Publisher's Description: A unique Israeli national culture - indeed, the very nature of "Israeliness" - remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills. Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the contemporary, global-cosmopolitan Israeli rock; and the ethnic-oriental musica mizrahit. The result is the first ever comprehensive study of popular music in Israel. Motti Regev, a sociologist, and Edwin Seroussi, an ethnomusicologist, approach their subject from alternative perspectives, producing a truly interdisciplinary, sociocultural account of music as a feature and a force in the shaping of Israeliness. A major ethnographic undertaking, describing and analyzing the particular history, characteristics, and practices of each music culture, Popular Music and National Culture in Israel maps not only the complex field of Israeli popular music but also Israeli culture in general.   [brief]
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Title: The wars we took to Vietnam: cultural conflict and storytelling
Author: Bates, Milton J
Published: University of California Press,  1996
Subjects: American Studies | United States History | Popular  Culture | American Literature
Publisher's Description: What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period.Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known - Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson.As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives - from the deeply personal to the broadly cultural - for telling war stories.   [brief]
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Title: Blackface, white noise: Jewish immigrants in the Hollywood melting pot
Author: Rogin, Michael 1937-
Published: University of California Press,  1998
Subjects: American Studies | Film | United States History | Jewish Studies | Popular  Culture
Publisher's Description: The tangled connections that have bound Jews to African Americans in popular culture and liberal politics are at the heart of Michael Rogin's arresting and unnerving book. Looking at films from Birth of a Nation to Forrest Gump , Rogin explores blackface in Hollywood films as an aperture to broader issues: the nature of "white" identity in America, the role of race in transforming immigrants into "Americans," the common experiences of Jews and African Americans that made Jews key supporters in the fight for racial equality, and the social importance of popular culture. Rogin's forcefully argued study challenges us to confront the harsh truths behind the popularity of racial masquerade.   [brief]
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Title: Cinema and the invention of modern life
Author: Charney, Leo
Published: University of California Press,  1996
Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular  Culture
Publisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]
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Title: Western music and its others: difference, representation, and appropriation in music
Author: Born, Georgina
Published: University of California Press,  2000
Subjects: Music | Ethnomusicology | Cultural Anthropology | Sociology | Postcolonial Studies | Popular  Culture
Publisher's Description: This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. The essays scrutinize a diverse body of music and discuss a range of significant examples, among them musical modernism's idealizing or ambivalent relations with popular, ethnic, and non-Western music; exoticism and orientalism in the experimental music tradition; the representation of others in Hollywood film music; music's role in the formation and contestation of collective identities, with reference to Jewish and Turkish popular music; and issues of representation and difference in jazz, world music, hip hop, and electronic dance music. Written by leading scholars from disciplines including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies, the essays provide unprecedented insights into how cultural identities and differences are constructed in music.   [brief]
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Title: Playing with power in movies, television, and video games: from Muppet Babies to Teenage Mutant Ninja Turtles 
Author: Kinder, Marsha
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Television and Radio | Popular  Culture
Publisher's Description: How do children today learn to understand stories? Why do they respond so enthusiastically to home video games and to a myth like Teenage Mutant Ninja Turtles? And how are such fads related to multinational media mergers and the "new world order"? In assessing these questions, Marsha Kinder provides . . . [more]
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Title: Takarazuka: sexual politics and popular culture in modern Japan
Author: Robertson, Jennifer Ellen
Published: University of California Press,  1998
Subjects: Anthropology | Japan | Cultural Anthropology | GayLesbian and Bisexual Studies | Women's Studies | Theatre | Popular  Culture
Publisher's Description: The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.   [brief]
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Title: Popular theater and society in Tsarist Russia
Author: Swift, Eugene Anthony
Published: University of California Press,  2002
Subjects: History | European History | Russian and Eastern European Studies | Popular  Culture | European Literature | European Studies
Publisher's Description: This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters - the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.   [brief]
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Title: The ciné goes to town: French cinema, 1896-1914
Author: Abel, Richard 1941-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular  Culture
Publisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents.
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Title: The festive state: race, ethnicity, and nationalism as cultural performance
Author: Guss, David M
Published: University of California Press,  2001
Subjects: Anthropology | Latin American Studies | Ethnic Studies | Cultural Anthropology | Sociology | Popular  Culture
Publisher's Description: If, as David Guss argues, culture is a contested terrain with constantly changing contours, then festivals are its battlegrounds, where people come to fight and dispute in large acts of public display. Festive behavior, long seen by anthropologists and folklorists as the "uniform expression of a collective consciousness, is contentious and often subversive," and The Festive State is an eye-opening guide to its workings. Guss investigates "the ideology of tradition," combining four case studies in a radical multisite ethnography to demonstrate how in each instance concepts of race, ethnicity, history, gender, and nationhood are challenged and redefined. In a narrative as colorful as the events themselves, Guss presents the Afro-Venezuelan celebration of San Juan, the "neo-Indian" Day of the Monkey, the mestizo ritual of Tamunangue, and the cultural policies and products of a British multinational tobacco corporation. All these illustrate the remarkable fluidity of festive behavior as well as its importance in articulating different cultural interests.   [brief]
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Title: Alternative modernity: the technical turn in philosophy and social theory
Author: Feenberg, Andrew
Published: University of California Press,  1995
Subjects: Philosophy | Social and Political Thought | History and Philosophy of Science | Popular  Culture
Publisher's Description: In this new collection of essays, Andrew Feenberg argues that conflicts over the design and organization of the technical systems that structure our society shape deep choices for the future. A pioneer in the philosophy of technology, Feenberg demonstrates the continuing vitality of the critical theory of the Frankfurt School. He calls into question the anti-technological stance commonly associated with its theoretical legacy and argues that technology contains potentialities that could be developed as the basis for an alternative form of modern society.Feenberg's critical reflections on the ideas of Jürgen Habermas, Herbert Marcuse, Jean-François Lyotard, and Kitaro Nishida shed new light on the philosophical study of technology and modernity. He contests the prevalent conception of technology as an unstoppable force responsive only to its own internal dynamic and politicizes the discussion of its social and cultural construction.This argument is substantiated in a series of compelling and well-grounded case studies. Through his exploration of science fiction and film, AIDS research, the French experience with the "information superhighway," and the Japanese reception of Western values, he demonstrates how technology, when subjected to public pressure and debate, can incorporate ethical and aesthetic values.   [brief]
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Title: Creating the corporate soul: the rise of public relations and corporate imagery in American big business
Author: Marchand, Roland
Published: University of California Press,  1998
Subjects: History | American Studies | Popular  Culture | Intellectual History | Media Studies | Economics and Business
Publisher's Description: Over the course of the twentieth century the popular perception of America's giant corporations has undergone an astonishing change. Condemned as dangerous leviathans in the century's first decades, by 1945 major corporations had become respected, even revered, institutions. Roland Marchand's lavishly illustrated and carefully researched book tells how large companies such as AT&T and U.S. Steel created their own "souls" in order to reassure consumers and politicians that bigness posed no threat to democracy or American values.Marchand traces this important transformation in the culture of capitalism by offering a series of case studies of such corporate giants as General Motors, General Electric, Metropolitan Life Insurance, and Du Pont Chemicals. Marchand examines the rhetorical and visual imagery developed by corporate leaders to win public approval and build their own internal corporate culture. In the "golden era" of the 1920s, companies boasted of their business statesmanship, but in the Depression years many of them turned in desperation to forms of public relations that strongly defended the capitalist system. During World War II public relations gained new prominence within corporate management as major companies linked themselves with Main-Street, small-town America. By the war's end, the corporation's image as a "good neighbor" had largely replaced that of the "soulless giant." American big business had succeeded in wrapping increasingly complex economic relationships in the comforting aura of familiarity.Marchand, author of the widely acclaimed Advertising the American Dream (1985), provides an elegant and convincing account of the origins and effects of the corporate imagery so ubiquitous in our world today.   [brief]
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Title: Twilight zones: the hidden life of cultural images from Plato to O.J
Author: Bordo, Susan 1947-
Published: University of California Press,  1997
Subjects: Sociology | Popular  Culture | Politics | Social and Political Thought | Gender Studies | Media Studies
Publisher's Description: Considering everything from Nike ads, emaciated models, and surgically altered breasts to the culture wars and the O.J. Simpson trial, Susan Bordo deciphers the hidden life of cultural images and the impact they have on our lives. She builds on the provocative themes introduced in her acclaimed work Unbearable Weight - which explores the social and political underpinnings of women's obsession with bodily image - to offer a singularly readable and perceptive interpretation of our image-saturated culture. As it becomes increasingly difficult to distinguish between appearance and reality, she argues, we need to rehabilitate the notion that not all versions of reality are equally trustworthy. Bordo writes with deep compassion, unnerving honesty, and bracing intelligence. Looking to the body and bodily practices as a concrete arena where cultural fantasies and anxieties are played out, she examines the mystique and the reality of empowerment through cosmetic surgery. Her brilliant discussion of sexual harassment reflects on the Clarence Thomas/Anita Hill controversy as well as the film Disclosure . She suggests that sexuality, although one of the mediums of harassment, is not its essence, and she calls for the recasting of harassers as bullies rather than sex fiends. Bordo also challenges the continuing marginalization of feminist thought, in particular the failure to read feminist work as cultural criticism. Finally, in a powerful and moving essay called "Missing Kitchens" - written in collaboration with her two sisters - Bordo explores notions of bodies, place, and space through a recreation of the topographies of her childhood. Throughout these essays, Bordo avoids dogma and easy caricature. Consistently, and on many levels, she demonstrates the profound relationship between our lives and our theories, our feelings and our thoughts.   [brief]
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